Longest reply wins!

[Chiller4]

Can we set some rules?

Must be entirely original/written by you, not copied and pasted from another person, as that is plagiarism.
Cannot be random letters, words, or other such spam. It must be legitimate, legible, and understandable writing.
You cannot take someone else's post and modify it slightly to claim it as your own.

It was kind of BS, although slightly humorous, when Sim_Man did... what he did.

Ok we get it you won >.<
Moo always gotta be professional, but I understand

 

[Mooclan]

Ok we get it you won >.<
Moo always gotta be professional, but I understand

I apologize if I sounded rude or cocky, I did not mean to. I was just thinking that this thread could use some official rules, to prevent posts... well, you get the point. >_<

 

[billyguy1]

I copied in about 300,000 digits of pi and crash went my browser.

 

[Ag | Alex]

Doctor Who is a British science-fiction television programme produced by the BBC. The programme depicts the adventures of the Doctor, a Time Lord—a time-travelling humanoid alien. He explores the universe in his TARDIS, a sentient time-travelling space ship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, the Doctor faces a variety of foes while working to save civilisations, help ordinary people, and right wrongs.

The show has received recognition as one of Britain's finest television programmes, winning the 2006 British Academy Television Award for Best Drama Series and five consecutive (2005–2010) awards at the National Television Awards duringRussell T Davies's tenure as executive producer.[2][3] In 2011, Matt Smith became the first Doctor to be nominated for a BAFTA Television Award for Best Actor. In 2013, the Peabody Awards honoured Doctor Who with an Institutional Peabody "for evolving with technology and the times like nothing else in the known television universe."[4] The programme is listed in Guinness World Records as the longest-running science fiction television show in the world,[5] the "most successful" science fiction series of all time—based on its over-all broadcast ratings, DVD and book sales, and iTunes traffic—[6] and for the largest ever simulcast of a TV drama with its 50th anniversary special.[7] During its original run, it was recognised for its imaginative stories, creative low-budget special effects, and pioneering use of electronic music (originally produced by the BBC Radiophonic Workshop).

The show is a significant part of British popular culture,[8][9] and elsewhere it has become a cult television favourite. The show has influenced generations of British television professionals, many of whom grew up watching the series.[10] The programme originally ran from 1963 to 1989. After an unsuccessful attempt to revive regular production in 1996 with a backdoor pilot in the form of a television film, the programme was relaunched in 2005 by Russell T Davies who was showrunner and head writer for the first five years of its revival, produced in-house by BBC Wales in Cardiff. The first series of the 21st century, featuring Christopher Eccleston in the title role, was produced by the BBC. Series two and three had some development money contributed by the Canadian Broadcasting Corporation (CBC), which was credited as a co-producer.[11] Doctor Who also spawned spin-offs in multiple media, including Torchwood (2006–11) and The Sarah Jane Adventures (2007–11), both created by Russell T Davies; K-9 (2009–10); and a single pilot episode of K-9 and Company (1981). There also have been many spoofs and cultural references of the character in other media.

Eleven actors have headlined the series as the Doctor. The transition from one actor to another, and the differing approach to the role that they bring, is written into the plot of the show as regeneration into a new incarnation, a life process ofTime Lords through which the character of the Doctor takes on a new body and, to some extent, new personality, which occurs after sustaining injury which would be fatal to most other species. While each actor's portrayal differs, they are all intended to be aspects of the same character, and form part of the same storyline. The time-travelling nature of the plot means that on occasion, story arcs have involved different Doctors meeting each other. The Doctor is currently portrayed byPeter Capaldi, who took on the role after Matt Smith's final appearance in the 2013 Christmas special "The Time of the Doctor".[12]
Doctor Who first appeared on BBC1 television at 17:16:20 GMT, eighty seconds after the scheduled programme time, 5:15 pm, on Saturday, 23 November 1963.[13][14] It was to be a regular weekly programme, each episode 25 minutes of transmission length. Discussions and plans for the programme had been in progress for a year. The head of drama, Canadian Sydney Newman, was mainly responsible for developing the programme, with the first format document for the series being written by Newman along with the head of the script department (later head of serials) Donald Wilson and staff writer C. E. Webber. Writer Anthony Coburn, David Whitaker, a story editor, and initial producer Verity Lambert also heavily contributed to the development of the series.[15][note 1] The programme was originally intended to appeal to a family audience,[16] as an educational programme using time travel as a means to explore scientific ideas and famous moments in history. On 31 July 1963 Whitaker commissioned Terry Nation to write a story under the title The Mutants. As originally written, the Daleks and Thals were the victims of an alien neutron bomb attack but Nation later dropped the aliens and made the Daleks the aggressors. When the script was presented to Newman and Wilson it was immediately rejected as the programme was not permitted to contain any "bug-eyed monsters". The first serial had been completed and the BBC believed it was crucial that the next one be a success, however, The Mutants was the only script ready to go so the show had little choice but to use it. According to producer Verity Lambert; "We didn't have a lot of choice — we only had the Dalek serial to go ... We had a bit of a crisis of confidence because Donald [Wilson] was so adamant that we shouldn't make it. Had we had anything else ready we would have made that." Nation's script became the second Doctor Who serial – The Daleks (aka The Mutants). The serial introduced the eponymous aliens that would become the series' most popular monsters, and was responsible for the BBC's first merchandising boom.[17]

The BBC drama department's serials division produced the programme for 26 seasons, broadcast on BBC 1. Falling viewing numbers, a decline in the public perception of the show and a less-prominent transmission slot saw production suspended in 1989 by Jonathan Powell, controller of BBC 1.[18] Although (as series co-star Sophie Aldred reported in the documentary Doctor Who: More Than 30 Years in the TARDIS) it was effectively, if not formally, cancelled with the decision not to commission a planned 27th series of the show for transmission in 1990, the BBC repeatedly affirmed that the series would return.[19]

While in-house production had ceased, the BBC hoped to find an independent production company to relaunch the show. Philip Segal, a British expatriate who worked for Columbia Pictures' television arm in the United States, had approached the BBC about such a venture as early as July 1989, while the 26th series was still in production.[19] Segal's negotiations eventually led to a Doctor Who television film, broadcast on the Fox Network in 1996 as a co-production between Fox, Universal Pictures, the BBC and BBC Worldwide. Although the film was successful in the UK (with 9.1 million viewers), it was less so in the United States and did not lead to a series.[19]

Licensed media such as novels and audio plays provided new stories, but as a television programme Doctor Who remained dormant until 2003. In September of that year,[20] BBC Television announced the in-house production of a new series after several years of attempts by BBC Worldwide to find backing for a feature film version. The executive producers of the new incarnation of the series were writer Russell T Davies and BBC Cymru Wales head of drama Julie Gardner.

Doctor Who finally returned with the episode "Rose" on BBC One on 26 March 2005.[21] There have since been six further series in 2006–2008 and 2010–2012, and Christmas Day specials every year since 2005. No full series was filmed in 2009,[22] although four additional specials starring Tennant were made. In 2010, Steven Moffat replaced Davies as head writer and executive producer.[23]

The 2005 version of Doctor Who is a direct plot continuation of the original 1963–1989 series,[note 2] as is the 1996 telefilm. This differs from other series relaunches that have either been reimaginings or reboots (for example, Battlestar Galactica and Bionic Woman) or series taking place in the same universe as the original but in a different period and with different characters (for example, Star Trek: The Next Generation and spin-offs).[24]

The programme has been sold to many other countries worldwide (see Viewership).

Public consciousness
It has been suggested that the transmission of the first episode was delayed by ten minutes due to extended news coverage of the assassination of US President John F. Kennedy the previous day; whereas in fact, it went out just eighty seconds late.[25] Because it was believed that the coverage of the events of the assassination as well as a series of power blackouts across the country may have caused too many viewers to miss this introduction to a new series, the BBC broadcast it again on 30 November 1963, just before the broadcast of episode two.[26][27]

The programme soon became a national institution in the United Kingdom, with a large following among the general viewing audience.[28][29] Many renowned actors asked for, or were offered and accepted, guest-starring roles in various stories.[30][31][32][33]

With popularity came controversy over the show's suitability for children. Morality campaigner Mary Whitehouse repeatedly complained to the BBC in the 1970s over what she saw as the show's frightening and gory content.[34] John Nathan-Turner, who produced the series during the 1980s, was heard to say that he looked forward to Whitehouse's comments, as the show's ratings would increase soon after she had made them.[35]

The phrase "Hiding behind (or 'watching from behind') the sofa" became coined and entered British pop culture, signifying in humour the stereotypical early-series behaviour of children who wanted to avoid seeing frightening parts of a television programme while remaining in the room to watch the remainder of it.[36] The phrase retains this association with Doctor Who, to the point that in 1991 the Museum of the Moving Image in London named their exhibition celebrating the programme "Behind the Sofa". The electronic theme music too was perceived as eerie, novel, and frightening, at the time. A 2012 article placed this childhood juxtapose of fear and thrill "at the center of many people's relationship with the show",[37] and a 2011 online vote at Digital Spy deemed the series the "scariest TV show of all time".[38]

During Jon Pertwee's second series as the Doctor, in the serial Terror of the Autons (1971), images of murderous plastic dolls, daffodils killing unsuspecting victims, and blank-featured policemen marked the apex of the show's ability to frighten children.[39] Other notable moments in that decade include a disembodied brain falling to the floor in The Brain of Morbius[40] and the Doctor apparently being drowned by Chancellor Goth in The Deadly Assassin (both 1976).[41]

 

[arsenal]

is

Doctor Who is a British science-fiction television programme produced by the BBC. The programme depicts the adventures of the Doctor, a Time Lord—a time-travelling humanoid alien. He explores the universe in his TARDIS, a sentient time-travelling space ship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, the Doctor faces a variety of foes while working to save civilisations, help ordinary people, and right wrongs.

The show has received recognition as one of Britain's finest television programmes, winning the 2006 British Academy Television Award for Best Drama Series and five consecutive (2005–2010) awards at the National Television Awards duringRussell T Davies's tenure as executive producer.[2][3] In 2011, Matt Smith became the first Doctor to be nominated for a BAFTA Television Award for Best Actor. In 2013, the Peabody Awards honoured Doctor Who with an Institutional Peabody "for evolving with technology and the times like nothing else in the known television universe."[4] The programme is listed in Guinness World Records as the longest-running science fiction television show in the world,[5] the "most successful" science fiction series of all time—based on its over-all broadcast ratings, DVD and book sales, and iTunes traffic—[6] and for the largest ever simulcast of a TV drama with its 50th anniversary special.[7] During its original run, it was recognised for its imaginative stories, creative low-budget special effects, and pioneering use of electronic music (originally produced by the BBC Radiophonic Workshop).

The show is a significant part of British popular culture,[8][9] and elsewhere it has become a cult television favourite. The show has influenced generations of British television professionals, many of whom grew up watching the series.[10] The programme originally ran from 1963 to 1989. After an unsuccessful attempt to revive regular production in 1996 with a backdoor pilot in the form of a television film, the programme was relaunched in 2005 by Russell T Davies who was showrunner and head writer for the first five years of its revival, produced in-house by BBC Wales in Cardiff. The first series of the 21st century, featuring Christopher Eccleston in the title role, was produced by the BBC. Series two and three had some development money contributed by the Canadian Broadcasting Corporation (CBC), which was credited as a co-producer.[11] Doctor Who also spawned spin-offs in multiple media, including Torchwood (2006–11) and The Sarah Jane Adventures (2007–11), both created by Russell T Davies; K-9 (2009–10); and a single pilot episode of K-9 and Company (1981). There also have been many spoofs and cultural references of the character in other media.

Eleven actors have headlined the series as the Doctor. The transition from one actor to another, and the differing approach to the role that they bring, is written into the plot of the show as regeneration into a new incarnation, a life process ofTime Lords through which the character of the Doctor takes on a new body and, to some extent, new personality, which occurs after sustaining injury which would be fatal to most other species. While each actor's portrayal differs, they are all intended to be aspects of the same character, and form part of the same storyline. The time-travelling nature of the plot means that on occasion, story arcs have involved different Doctors meeting each other. The Doctor is currently portrayed byPeter Capaldi, who took on the role after Matt Smith's final appearance in the 2013 Christmas special "The Time of the Doctor".[12]
Doctor Who first appeared on BBC1 television at 17:16:20 GMT, eighty seconds after the scheduled programme time, 5:15 pm, on Saturday, 23 November 1963.[13][14] It was to be a regular weekly programme, each episode 25 minutes of transmission length. Discussions and plans for the programme had been in progress for a year. The head of drama, Canadian Sydney Newman, was mainly responsible for developing the programme, with the first format document for the series being written by Newman along with the head of the script department (later head of serials) Donald Wilson and staff writer C. E. Webber. Writer Anthony Coburn, David Whitaker, a story editor, and initial producer Verity Lambert also heavily contributed to the development of the series.[15][note 1] The programme was originally intended to appeal to a family audience,[16] as an educational programme using time travel as a means to explore scientific ideas and famous moments in history. On 31 July 1963 Whitaker commissioned Terry Nation to write a story under the title The Mutants. As originally written, the Daleks and Thals were the victims of an alien neutron bomb attack but Nation later dropped the aliens and made the Daleks the aggressors. When the script was presented to Newman and Wilson it was immediately rejected as the programme was not permitted to contain any "bug-eyed monsters". The first serial had been completed and the BBC believed it was crucial that the next one be a success, however, The Mutants was the only script ready to go so the show had little choice but to use it. According to producer Verity Lambert; "We didn't have a lot of choice — we only had the Dalek serial to go ... We had a bit of a crisis of confidence because Donald [Wilson] was so adamant that we shouldn't make it. Had we had anything else ready we would have made that." Nation's script became the second Doctor Who serial – The Daleks (aka The Mutants). The serial introduced the eponymous aliens that would become the series' most popular monsters, and was responsible for the BBC's first merchandising boom.[17]

The BBC drama department's serials division produced the programme for 26 seasons, broadcast on BBC 1. Falling viewing numbers, a decline in the public perception of the show and a less-prominent transmission slot saw production suspended in 1989 by Jonathan Powell, controller of BBC 1.[18] Although (as series co-star Sophie Aldred reported in the documentary Doctor Who: More Than 30 Years in the TARDIS) it was effectively, if not formally, cancelled with the decision not to commission a planned 27th series of the show for transmission in 1990, the BBC repeatedly affirmed that the series would return.[19]

While in-house production had ceased, the BBC hoped to find an independent production company to relaunch the show. Philip Segal, a British expatriate who worked for Columbia Pictures' television arm in the United States, had approached the BBC about such a venture as early as July 1989, while the 26th series was still in production.[19] Segal's negotiations eventually led to a Doctor Who television film, broadcast on the Fox Network in 1996 as a co-production between Fox, Universal Pictures, the BBC and BBC Worldwide. Although the film was successful in the UK (with 9.1 million viewers), it was less so in the United States and did not lead to a series.[19]

Licensed media such as novels and audio plays provided new stories, but as a television programme Doctor Who remained dormant until 2003. In September of that year,[20] BBC Television announced the in-house production of a new series after several years of attempts by BBC Worldwide to find backing for a feature film version. The executive producers of the new incarnation of the series were writer Russell T Davies and BBC Cymru Wales head of drama Julie Gardner.

Doctor Who finally returned with the episode "Rose" on BBC One on 26 March 2005.[21] There have since been six further series in 2006–2008 and 2010–2012, and Christmas Day specials every year since 2005. No full series was filmed in 2009,[22] although four additional specials starring Tennant were made. In 2010, Steven Moffat replaced Davies as head writer and executive producer.[23]

The 2005 version of Doctor Who is a direct plot continuation of the original 1963–1989 series,[note 2] as is the 1996 telefilm. This differs from other series relaunches that have either been reimaginings or reboots (for example, Battlestar Galactica and Bionic Woman) or series taking place in the same universe as the original but in a different period and with different characters (for example, Star Trek: The Next Generation and spin-offs).[24]

The programme has been sold to many other countries worldwide (see Viewership).

Public consciousness
It has been suggested that the transmission of the first episode was delayed by ten minutes due to extended news coverage of the assassination of US President John F. Kennedy the previous day; whereas in fact, it went out just eighty seconds late.[25] Because it was believed that the coverage of the events of the assassination as well as a series of power blackouts across the country may have caused too many viewers to miss this introduction to a new series, the BBC broadcast it again on 30 November 1963, just before the broadcast of episode two.[26][27]

The programme soon became a national institution in the United Kingdom, with a large following among the general viewing audience.[28][29] Many renowned actors asked for, or were offered and accepted, guest-starring roles in various stories.[30][31][32][33]

With popularity came controversy over the show's suitability for children. Morality campaigner Mary Whitehouse repeatedly complained to the BBC in the 1970s over what she saw as the show's frightening and gory content.[34] John Nathan-Turner, who produced the series during the 1980s, was heard to say that he looked forward to Whitehouse's comments, as the show's ratings would increase soon after she had made them.[35]

The phrase "Hiding behind (or 'watching from behind') the sofa" became coined and entered British pop culture, signifying in humour the stereotypical early-series behaviour of children who wanted to avoid seeing frightening parts of a television programme while remaining in the room to watch the remainder of it.[36] The phrase retains this association with Doctor Who, to the point that in 1991 the Museum of the Moving Image in London named their exhibition celebrating the programme "Behind the Sofa". The electronic theme music too was perceived as eerie, novel, and frightening, at the time. A 2012 article placed this childhood juxtapose of fear and thrill "at the center of many people's relationship with the show",[37] and a 2011 online vote at Digital Spy deemed the series the "scariest TV show of all time".[38]

During Jon Pertwee's second series as the Doctor, in the serial Terror of the Autons (1971), images of murderous plastic dolls, daffodils killing unsuspecting victims, and blank-featured policemen marked the apex of the show's ability to frighten children.[39] Other notable moments in that decade include a disembodied brain falling to the floor in The Brain of Morbius[40] and the Doctor apparently being drowned by Chancellor Goth in The Deadly Assassin (both 1976).[41]

Is it just me or does that sound like wikipedia?

 

[Mooclan]

is

Is it just me or does that sound like wikipedia?

It does indeed sound like Wikipedia, or some other website.

 

[CrimsonRed]

I thought I would share a short story I'm working on. It's called Requiem of MCSG.

(Note: This is meant to be satire and not to be taken seriously.)

It’s a Saturday night, you’re done your homework, all your friends made plans without you, and you have the house to yourself. Of course the obvious choice may seem to throw a party while you have the opportunity, but who would show up? The fridge is empty and there’s nothing on TV, and you have a strong distaste for reading. The obvious solution to your boredom is to start up your laptop and open up the Internet. You check your Youtube Subscriber Feed and notice a video from your favorite gaming channel, a Minecraft Hunger Games video. You decide to watch it, finding it very intriguing, especially since despite you abhor reading, you are fascinated by the Hunger Games trilogy. Then you find out that it’s part one of an entire series of videos. After finishing the series, you watch other people play on Hunger Games servers. Sooner enough, the entire night becomes devoted to watching blockmen kill other blockmen.

Sunday morning comes around, and after a quick morning routine, you boot up the laptop and watch some HG videos. That’s when it occurs to you, “Why not I play on these servers?” You find a link to one of the websites, MCSG, and after an hour of figuring out how to connect to the server, you play a game of MCSG. Entering the lobby, you chat with the other tributes in hopes of an alliance. Unfortunately, none complies, but you have confidence in yourself otherwise. The timer sets off, and everyone teleports from the lobby to the game. Your hands are now shaking, grasping your mouse with anxiety. You look from the familiar pedestal, and take a gander around you and your fellow opponents. Trees go on for miles, hiding any visible landmarks, apart from the main spectator building. You take a look at the cornucopia, a workbench surrounded by a 8 chests with a wildcard of items. After watching numerous Hunger Games videos, you decide to take it. A bold decision, but you end up with a feather or some other useless junk. Having no chest route developed yet, you run from the opposite of where you spawned, hoping to find some chests.

The game goes by, and you are defenseless, maybe finding one chest containing a stick or raw meat. Someone more experienced crosses your path and you lose the game. “No problem, not everyone won their first game,” you think, but every game follows the same recipe: corn, wander, lost, die. After some researching on the forums and some Youtube videos, you develop a chest route and do significantly better than when you first started. You may not have won the game, but you did good enough. A day ends, having a newfound love with this server.

It is now Monday, and you are excited to tell your peers about your adventures in MCSG. They are just as intrigued by the game as you are, and decide to play a game with you after school. The final bell rings, you go home, turn the laptop on, and start a Skype call. After explaining to your friends the basics of the game, you tell them to follow you. With your numbers, your and your friends win the game. Well, sort of. There can only be one winner, so you duke out a friendly battle until one claims victorious, and surprise, it’s you. Your very first win in MCSG, and you didn’t have to pity anyone or ask Youtube-posers for teams. You and your friends begin to play on the server every night for the rest of the week.

Time goes by and your friends are tired of playing the game. Sure, you can get a few wins every now and then but what’s the point? Playing this much as sucked the fun out of it. But now you, you continue to play. Your routine becomes playing a quick game, going to school, and playing MCSG for the rest of the day. Your parents take notice that your grades are dropping. As punishment, they take away your laptop, but nevertheless, you continue your obsession for MCSG. “Maybe it’s for the better you think,” but your withdrawal catches up to you and MCSG is all you can think about.

You try to appease this addiction by watching videos on your phone after everyone’s asleep. Bajan what’s-his-face, Blamph, learning new tricks, PvP styles, chest routes, etc. Every day, you continue to post on the forums and eventually become an active member. You become a beloved member of the community, everyone knows who you are. After some time, you finally feel sober and no longer addicted to MCSG. With more free time, you decide to study and once your grades rise back to a steady B-, you parents decide to give back your laptop.

You’re reluctant to what the first thing you do on the laptop is. Your parents have trusted you with freedom, what will you take of it? Browse the internet? Develop a hobby? Your eyes dart into the Minecraft logo in the corner of your desktop. You finally broke free, but now you feel the need to play the game again. You decide, what the heck, and pop open the server. After months of hiatus, your skills are a little bit rusty, but you eventually get the hang of it. Summer break comes around, you spend day and night trying to amp up your game and get higher on the leaderboards. To this moment you realized, you have relapsed.

It becomes vigorous, you refuse to go out or hang with your friends. That cute girl in your Geometry class? You rejected her to play more time for MCSG. Your entire life is spiraling out of control and you don’t even realize it.. As more and more players come, more people become more advanced. You realize that you’re losing your edge, as people are increasingly becoming more skilled than you. Frustrated by all your losses, you take a drastic measure, something that you or anyone else in the community would ever succumb to: hacking.

You download a custom-hacking client. You join a server and the games are about to begin immediately. You look around you, your innocent victims unaware of the true winner of the game, the king of MCSG. Once it starts, you immediately run towards the cornucopia as normal. You get flashbacks of your first game, how you had such poor luck, you were so naive. You snap back into reality and realize the potential of your hacking client. Players were flying everywhere, hitting the ground several blocks away. You get carried away and try to kill as many of them as you can right off the bat. Unfortunately for you, a mod was in that game, recording it, for everyone to see.

The next day, you were banned, permanently. For once, you are finally free from the shackles of the game, free from that black hole of productivity, the wasteland of procrastination. The urges to play never go away though, you contemplate whether or not to buy a new account, but in the end, decide that getting banned was for the better.

You can probably find the video online, just search up LeafyGreenTea or something.

 

[Ali]

K

 

[Ag | Alex]

It does indeed sound like Wikipedia, or some other website.

No...I wrote it.

 

[CrimsonRed]

No...I wrote it.

Congratulations on single-handedly writing a Wikipedia article.

 

[Mooclan]

No...I wrote it.

Congratulations on being able to copy and paste from the Wikipedia article of Doctor Who... .-.

 

[ToeKnee]

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